“Ridden with a Welsh Goat”: Parson Evans' Correction of Windsor's English Condition
Identifieur interne : 000144 ( Main/Exploration ); précédent : 000143; suivant : 000145“Ridden with a Welsh Goat”: Parson Evans' Correction of Windsor's English Condition
Auteurs : Allison M. OutlandSource :
- English Literary Renaissance [ 0013-8312 ] ; 2011-05.
Descripteurs français
- Wicri :
- topic : Langue maternelle, Structure sociale.
English descriptors
- KwdEn :
- Affective marriage, Allison, Anne page, Caius, Carew, Celtic races, Community boundaries, Couse bobby, Cultural differences, Denizen, English character, English community, English condition, English hegemony, English hospitality, English identity, English language, English poesie, English tonge, Englishness, Ethnic identity, Ethnic stereotyping, Ethnicity, Evans, Falstaff, Female power, Foreign neighbors, Gender, Glanmor williams, Good english condition, Honourable society, Household stuff, Humphrey lluyd, James howell, John webster, Kegl, Merry wives, Mother tongue, Mountain foreigner, Native garb, Outland, Parson, Parson evans, Patriarchal english order, Pittenger, Proper english, Quarto versions, Renaissance, Richard carew, Rosemary kegl, Same time, Sara warneke, Schoolmaster evans, Sixteenth century journal, Social cohesion, Social structure, Stark contrast, Thomas dekker, Tudor prelude, Welsh, Welsh characters, Welsh goat, Welsh heritage, Welsh language, Welsh parson, Welshman, Wendy wall, Wide range, William shakespeare, Windsor.
- Teeft :
- Affective marriage, Allison, Anne page, Caius, Carew, Celtic races, Community boundaries, Couse bobby, Cultural differences, Denizen, English character, English community, English condition, English hegemony, English hospitality, English identity, English language, English poesie, English tonge, Englishness, Ethnic identity, Ethnic stereotyping, Ethnicity, Evans, Falstaff, Female power, Foreign neighbors, Gender, Glanmor williams, Good english condition, Honourable society, Household stuff, Humphrey lluyd, James howell, John webster, Kegl, Merry wives, Mother tongue, Mountain foreigner, Native garb, Outland, Parson, Parson evans, Patriarchal english order, Pittenger, Proper english, Quarto versions, Renaissance, Richard carew, Rosemary kegl, Same time, Sara warneke, Schoolmaster evans, Sixteenth century journal, Social cohesion, Social structure, Stark contrast, Thomas dekker, Tudor prelude, Welsh, Welsh characters, Welsh goat, Welsh heritage, Welsh language, Welsh parson, Welshman, Wendy wall, Wide range, William shakespeare, Windsor.
Abstract
The early modern English theater engaged its diverse audiences in the imaginative construction of a cohesive British community from a wealth of regional, religious, ethnic, class and gender cohorts. Spurred on by the demands of numerous masters, including the highly competitive marketplace, playhouses produced myriad narratives that rehearsed and broadcast innovative variations on social cohesion and cultural identity. This essay explores how ideologies of ethnicity and gender in The Merry Wives of Windsor divide and structure community and more particularly how the strategic use of ethnic constructs, especially as marked by dialect in the Welsh parson Hugh Evans, helps to create, defend, and reproduce the distinctive English character of Windsor. This process “logically” justifies the imposition of a hierarchical social structure that will include the Welsh and, indeed, rely on them, but resist admitting them as equals in a newly‐imagined and substantially anglicized British nation. (A. M. O.)
Url:
DOI: 10.1111/j.1475-6757.2011.01087.x
Affiliations:
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Le document en format XML
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garb</term><term>Outland</term><term>Parson</term><term>Parson evans</term><term>Patriarchal english order</term><term>Pittenger</term><term>Proper english</term><term>Quarto versions</term><term>Renaissance</term><term>Richard carew</term><term>Rosemary kegl</term><term>Same time</term><term>Sara warneke</term><term>Schoolmaster evans</term><term>Sixteenth century journal</term><term>Social cohesion</term><term>Social structure</term><term>Stark contrast</term><term>Thomas dekker</term><term>Tudor prelude</term><term>Welsh</term><term>Welsh characters</term><term>Welsh goat</term><term>Welsh heritage</term><term>Welsh language</term><term>Welsh parson</term><term>Welshman</term><term>Wendy wall</term><term>Wide range</term><term>William shakespeare</term><term>Windsor</term></keywords><keywords scheme="Teeft" xml:lang="en"><term>Affective marriage</term><term>Allison</term><term>Anne page</term><term>Caius</term><term>Carew</term><term>Celtic races</term><term>Community boundaries</term><term>Couse bobby</term><term>Cultural differences</term><term>Denizen</term><term>English character</term><term>English community</term><term>English condition</term><term>English hegemony</term><term>English hospitality</term><term>English identity</term><term>English language</term><term>English poesie</term><term>English tonge</term><term>Englishness</term><term>Ethnic identity</term><term>Ethnic stereotyping</term><term>Ethnicity</term><term>Evans</term><term>Falstaff</term><term>Female power</term><term>Foreign neighbors</term><term>Gender</term><term>Glanmor williams</term><term>Good english condition</term><term>Honourable society</term><term>Household stuff</term><term>Humphrey lluyd</term><term>James howell</term><term>John webster</term><term>Kegl</term><term>Merry wives</term><term>Mother tongue</term><term>Mountain foreigner</term><term>Native garb</term><term>Outland</term><term>Parson</term><term>Parson evans</term><term>Patriarchal english order</term><term>Pittenger</term><term>Proper english</term><term>Quarto versions</term><term>Renaissance</term><term>Richard carew</term><term>Rosemary kegl</term><term>Same time</term><term>Sara warneke</term><term>Schoolmaster evans</term><term>Sixteenth century journal</term><term>Social cohesion</term><term>Social structure</term><term>Stark contrast</term><term>Thomas dekker</term><term>Tudor prelude</term><term>Welsh</term><term>Welsh characters</term><term>Welsh goat</term><term>Welsh heritage</term><term>Welsh language</term><term>Welsh parson</term><term>Welshman</term><term>Wendy wall</term><term>Wide range</term><term>William shakespeare</term><term>Windsor</term></keywords><keywords scheme="Wicri" type="topic" xml:lang="fr"><term>Langue maternelle</term><term>Structure sociale</term></keywords></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">The early modern English theater engaged its diverse audiences in the imaginative construction of a cohesive British community from a wealth of regional, religious, ethnic, class and gender cohorts. Spurred on by the demands of numerous masters, including the highly competitive marketplace, playhouses produced myriad narratives that rehearsed and broadcast innovative variations on social cohesion and cultural identity. This essay explores how ideologies of ethnicity and gender in The Merry Wives of Windsor divide and structure community and more particularly how the strategic use of ethnic constructs, especially as marked by dialect in the Welsh parson Hugh Evans, helps to create, defend, and reproduce the distinctive English character of Windsor. This process “logically” justifies the imposition of a hierarchical social structure that will include the Welsh and, indeed, rely on them, but resist admitting them as equals in a newly‐imagined and substantially anglicized British nation. (A. M. O.)</div></front></TEI><affiliations><list></list><tree><noCountry><name sortKey="Outland, Allison M" sort="Outland, Allison M" uniqKey="Outland A" first="Allison M." last="Outland">Allison M. Outland</name></noCountry></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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